“中国画”本来就是中国文化的一种 形态。生长在这块土地上的中国人,在与 自然协调发展的过程中,形成了利于自 身的生存技能、天人观念,并造就了自身 的文化。近代以来,国力的衰微使中国受 到西方国家的军事侵略,导致了一场文 化劫难。回顾近百年的文化历史,从陈独 秀对“四王”的发难,到各种美术实验潮 流的泛滥,以及今天“文化全球一体化” 的群体呓语,每一阶段对中国文化的轻 视、批判和改造都反映出部分国人的幼 稚、浅陋和奴性,当然这类行为是需要 勇气的——无知者无畏。倡议以西画写 “Chinese painting” has always been a form of Chinese culture. The Chinese, who grew up on this land, formed their own living skills, ideas of man and nature and created their own culture in the process of coordinated development with nature. Since the modern era, the decline of the national power has made China suffer from the military aggression of western countries and has led to a cultural catastrophe. Recalling nearly a hundred years of cultural history, from Chen Du-xiu’s attack on the “Four Kings”, to the proliferation of various art experimental trends and the collective rhetoric of “global cultural integration,” the contempt, reformation and transformation of Chinese culture at each stage All of them reflect the naivety, shallowness and servility of some Chinese people. Of course, such behavior requires courage - those who are ignorant are fearless. Proposal written in the west