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一九四一年问世的《北京人》,是曹禺同志的一部成功的现实主义喜剧。较之他早期的代表作《雷雨》和《日出》,是更为成熟的作品。作者对现实的感受和反映更为深刻,艺术风格和表现手法也有新的突破。尤其该剧的结构艺术更有独到之处。曹禺同志是结构戏剧的能手。《雷雨》中那么多的情节发展线穿插展开,通过揭露和抨击代表封建势力的中心人物形成主线,组织和带动所有线索,显得丰富而紧凑;《日出》中几条线平行发展,共同烘托“损不足以奉有余”的观念,而形成结构的中心,突现主题。《北京人》的结构似乎较为
The Beijingers, which came out in 1941, is a successful realistic comedy by Comrade Cao Yu. More mature than his earlier masterpieces Thunderstorm and Sunrise. The author’s feelings and reflections on the reality are more profound, and new breakthroughs are made in artistic style and expression technique. In particular, the structure of the play more unique art. Comrade Cao Yu is a master of structural drama. So many plots of development in the thunderstorm interspersed and unfolded, revealing and attacking the central figure representing the feudal forces to form the main line, and organizing and driving all the clues to become rich and compact. Several lines of “Sunrise” were developed in parallel and set the common ground The concept of “not enough to make ends meet” formed the center of the structure and emerged the theme. “Beijinger” structure seems to be more