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在中国美学和绘画中,丑同美一样,都是人类生存的本真状态。丑不是美的负面概念,而是与美相对存在从而决定美是否真实的概念。丑的审美意义在于可以以丑衬美,而且生活中的丑经过艺术家的点化,可以变成艺术中的美。丑不仅是对审美的传统规则和意义的拓展、反叛和超越,更是对真和善的一种反思。“审丑”是人们生活在世界上不可回避、无法逃脱的事情。丑与美是美学中相对立又互相依存的两个范畴,生活中既然有美,就应该有丑。
In Chinese aesthetics and painting, as with the United States, ugliness is the true state of human existence. Ugly is not a negative concept of beauty, but a concept of relative existence with the United States to determine whether beauty is real or not. The aesthetic significance of ugliness is that it can be beautiful in ugliness, and the ugliness in life can be turned into the beauty in art through the artist’s point. Ugly not only expands, rebells and surpasses the traditional rules and significance of aesthetics, but also reflects on truth and kindness. “Ugly ” is that people live in the world can not be avoided, can not escape things. Uglyness and beauty are two categories of opposites and interdependences in aesthetics. Since there is beauty in life, there should be ugliness.