“艺术之所以存在,就是为使人恢复对生活的感觉,就是使人感受事物,使石头显出石头的质感,”——什克洛夫斯基背影是不是一种肖像?是一个值得思考的问题。在社会生活的功用层面,肖像的首要目的是身份辨识,不能反映人的姿态、容貌、表情等主要特征的照片几乎可被归入废片的行列。追求艺术表现力的肖像摄影与肖像绘画,也鲜有把背影当作描绘对象的。但是,在杨德昌最后一部电影《一一》中,小男孩洋洋为吴念真扮演的“阿弟”拍照片,却把镜头对准了他的后脑勺,并对他说“你 ”The existence of art, that is, to restore the feeling of life is to make people feel things, make the stone show the texture of the stone, “ - is not a portrait of Shklovsky back? Is a Worthy of thinking. In the aspect of the utility of social life, the primary purpose of portraits is identification of identity, and photos that fail to reflect the main features of a person’s posture, appearance, facial expressions, etc. can be classified as almost a piece of scrap. The portraits and portraits of portraits seeking to express artistic expression are rarely taken as portraits. However, in Yang’s last film, ”Eleven,“ the little boy took a photo for ”Adi“, played by Wu Nianzhen, and pointed the camera at his back and told him, ”You