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元杂剧“婚姻爱情戏”中约有13部作品被明人以杂剧或传奇的形式所改写。明人在改写的过程中重塑了原作的女性形象,使之更符合传统女性的道德品质;增加了男女主角的感情戏,注重对男女之情的渲染;模仿和套用其他爱情剧的情节。明人对元杂剧“婚姻爱情戏”的改写与明初实施思想文化专制、明代中后期“主情”思潮的兴起有着密切的关系。
Yuan drama “Marriage and Love ” about 13 works were Ming people in the form of drama or legendary rewritten. During the process of rewriting, the Ming Dynasty reshaped the original female image and made it more in line with the moral qualities of traditional women. It increased the emotional drama of the male and female protagonists, emphasized the rendering of the love between men and women, and imitated and applied the plot of other love drama. The rewriting of Yuan drama “Marriage and Love Scene” by the Ming Dynasty is closely related to the ideological and cultural autocracy in the early Ming Dynasty and the rise of the “main sentiment” ideology in the mid and late Ming Dynasty.