论中国传统唱论中的“气韵”观

来源 :文艺评论 | 被引量 : 0次 | 上传用户:DragonDoor
下载到本地 , 更方便阅读
声明 : 本文档内容版权归属内容提供方 , 如果您对本文有版权争议 , 可与客服联系进行内容授权或下架
论文部分内容阅读
在全球化不断对本土性造成强势挤压的当下,“中华美学精神”已经成为当前我国文艺创作领域中的重要命题。(1)如何传承与发扬中华美学精神,是塑造民族艺术自信与建构文化身份认同的重要路径。我国古代有着较为丰富的声乐理论,其中既有像《韩非子》《礼记》《乐府杂录》等零散论述,也有像《唱论》《乐府传声》等专门著述。毋庸置疑,传统唱论对于声乐技巧的探索,至今对当下我国民族声乐发展仍有着重要的启示意义。 At a time when globalization has continuously brought a strong squeeze on the indigenous nature, “the spirit of Chinese aesthetics” has become an important proposition in the current field of literary and artistic creation in our country. (1) How to inherit and carry forward the spirit of Chinese aesthetics is an important way to shape national art self-confidence and construct cultural identity. In ancient China, we have a rich theory of vocal music. There are two kinds of fictions such as “Han Feizi”, “Book of Rites” and “Folk Songs of Yuefu”. Undoubtedly, the exploration of traditional singing theory for vocal music skills still has important implications for the development of contemporary national vocal music in our country.
其他文献
初中历史教学并不是初中教育中的主要考试学科,而是考查学科,这就导致很多初中生对历史课不重视,不但影响了初中生对历史文化的了解,也影响了历史教师的教学质量.而历史故事